A. I’ve always seen fashion as more than clothes — it’s storytelling, empowerment, and culture, Studying fashion at LCCA and UEL gave me the technical foundation, but my real inspiration came from life itself —. Growing up, I was inspired by my African heritage and British upbringing, and I wanted to merge those worlds. For me, a dress can be a passport — carrying culture, history, and identity wherever you go. And a runway is a — connecting people, traditions, and worlds through fashion. That’s the spirit behind Mary Martin London: — bold, fearless couture that celebrates identity and gives people confidence.
A. I see every creation as giving birth to a child — it carries a piece of me, my vision, and my soul. Of course, fashion is subjective, and not everyone will understand or appreciate that vision. But just like with a child, I nurture and protect my art, because it was born with purpose. Criticism doesn’t break me; it teaches me. I filter the negativity, take what’s constructive, and keep moving forward. At the end of the day, my work is about empowerment, culture, and storytelling — and that is bigger than opinions.
Q. I saw your latest collection ‘ the Queen of all nations ‘what a beautiful and powerful tribute that is to her Royal Majesty Queen Ronke Ademiluyi-Ogunwusi. Please elaborate on what that collection meant to you and why it was important for you to share it with the world?
A. That collection is very personal to me. It was created entirely during my recovery from major surgery, so in many ways it represents strength, resilience, and rebirth. Dedicating it to Her Royal Majesty Queen Ronke Ademiluyi-Ogunwusi felt natural, because she has been more than a friend — she’s been like a sister, always supportive. In 2024, she even gave me an hour-long show before AFWL began, which I deeply appreciate.
The collection combines taffeta, raw silk, and recycled plastics — reflecting both tradition and sustainability. The highlight is the multi-colour ‘Queen of All Nations’ dress, made from the finest raw silk, with the fabric hand-painted by the incredible artist Daphnia Stephenson. For me, it’s not just fashion — it’s a celebration of heritage, artistry, and the bonds of sisterhood.
Q. Speaking of which , what is your creative process and how do you stay creative and innovative at work ?
A. My process is very instinctive. I don’t draw, and I don’t want to know exactly what I’m making before I begin. For me, it starts with feeling — touching the fabric, exploring textures, and letting the material guide me. Creativity flows when I allow myself to be free, to create in the moment without restrictions. That’s how the most powerful pieces are born — from energy, emotion, and intuition rather than a fixed plan.
Q. What are some misconceptions about your industry ?
A. One big misconception is that fashion is only about glamour, beauty, and vanity. In reality, it’s hard work, discipline, and sacrifice — there are long nights, endless fittings, and constant problem-solving behind every collection. Another misconception is that designers just follow trends, when in truth, the best fashion comes from vision and storytelling, not just what’s popular. And finally, people sometimes forget that fashion can be a force for change — it can empower communities, celebrate culture, and even promote sustainability.
Q. There is a fine line between our personal life and our professional work which brings me to my next question. How does your personal life impact your professional work ?
A. My personal life is deeply intertwined with my work. Everything I experience — challenges, joys, relationships, and even recovery from setbacks — informs my creativity and vision. For example, my recent collection ‘Queen of All Nations’ was created during my recovery from major surgery, and that personal journey shaped its energy, emotion, and purpose. I believe the best design comes from authenticity, and living fully in my personal life gives me the inspiration and resilience to create work that truly speaks to people.
Q. To be creative is to be present and because we are human beings who are not exempted to the everyday happenings of life. How do you overcome creative blocks ?
A. I don’t really get creative blocks — I experience creative seasons. There are moments when the energy to create flows naturally, and if I don’t act on it during that time, I’ll miss it. For me, being present is key. I focus on the moment, on feeling the fabric, the texture, and the ideas as they come. Creativity isn’t forced; it’s about recognizing the season and moving with it.
Q. The beauty of being a human being is that we are creatures of change and we are constantly evolving.
That being said , how has your perspective on success evolved over time ?
A. The beauty of being human is that we are creatures of change, constantly evolving. Over time, my perspective on success has shifted from personal achievement to impact and purpose. I’ve been blessed and recognized at the highest levels — in December 2023, Fulton County, Georgia honored me with Mary Martin Appreciation Day; in January 2024, I was crowned Diaspora Stool Queen Mother Mama Nenyo1 in Mafi Amfoe, Ghana, for my cultural and philanthropic contributions; and in May 2025, I was knighted as a Dame of the Order of St. George for my services to fashion, community, and cross-cultural leadership.
Now, as a Queen, a Dame, and a global icon, I use my platform to uplift those who, like me, were once told ‘no.’ My life is proof that your past does not define your future — from being unable to read, to growing up in a children’s home, to receiving royal and global honors, my story is a beacon of hope for dreamers everywhere.
Q. How do you envision your industry evolving in the future ?
9. “I see the fashion industry becoming more inclusive, sustainable, and purpose-driven. I would love to release a ready-to-wear collection that reaches more people globally, while staying true to my commitment to culture and creativity. At the same time, I’m passionate about giving back — I inherited 59 acres of land in Ghana and plan to build a Creative Village there. My goal is to attract investment to create a space where artists, designers, and young talent can learn, collaborate, and innovate, blending culture, education, and sustainability. For me, the future of fashion is about impact as much as it is about style.
Q. My last question is : what influence do you hope your work will have on your clientele?
A. I want to create the ultimate ready-to-wear fashion that is sustainable, not just in materials but in purpose. My goal is to craft designs that impact my customers’ experience while also making a positive mark on the world. For me, it’s about more than style — it’s about creating something meaningful that inspires, empowers, and leaves a lasting legacy. I want my clients to feel part of something bigger than fashion, to wear pieces that carry purpose, culture, and conscious impact.”
Thank you for the interview. I give God all the Glory Amen!
